Started this discussion. Last reply by Wichita Sam May 28, 2011. 2 Replies 0 Likes
Since there isn't really a group where this fits, I'm posting it as a discussion... In the Spring I built a 3 string, fretless Baritone CBG for a client and I liked it so much that I had to do one…Continue
Started this discussion. Last reply by Randy S. Bretz Apr 22, 2011. 8 Replies 1 Like
OK, Wichita Sam's been a busy boy. About a month ago, a local kitchen design store offered me their unused, unclaimed formica counter tops. You will see that I have plenty of them in tan/brown…Continue
Tags: Danelectro, formica, Sam, Wichita, CTG
Started this discussion. Last reply by Wichita Sam Mar 26, 2011. 6 Replies 0 Likes
the slideshow depicts the steps to build a custom CBG. Worked with client on all design elements and materials selection... He got updates pics every day or two... Secret to a great build is good…Continue
Started this discussion. Last reply by Wichita Sam Mar 23, 2011. 18 Replies 0 Likes
I'm probably going to make a "How To" tutorial out of the building of this instrument. The first person to guess what it is (precisely) will win a complete set of my "how to's", including "How to…Continue
Added by Wichita Sam 2 Comments 0 Likes

Keni Lee Burgess said… Thank you Kid and Sam for sharing.
Yes, if you use an open tuning with a minor third, it is easy to fret that note to return to a major third. This is what the old Blues masters called "Cross note tuning". Instead of Open D (DADf#ad), they tuned Open D minor (DADfad). This gives you the same advantage as standard tuning, when playing for example an E chord. The open third string is the minor third - G, playing the chord adds the major third - G#. By playing between them, you create that typical minor / major tension found in the Blues.
As for three string CBG, I found a 513 works out really well for movable chords. This is the subject of my instructional video #6.
A 153 tuning is actually quite unique in regards to the usual open tuning tone arrangements.
Thanks for sharing some more of the endless possibilities. Enjoy your practice, Keni Lee
Keni Lee Burgess said… Thank you for sharing Sam. I mainly listed major tuning variations in regard to string number. Yes, tuning the 3rd down a half step makes a very inspirational difference. It always amazes me, how powerful that one little note is. That tension created between major and minor tthird is probably the source of most of the Blues sound. Shane demonstrated in his video the altering of the first tone. 151 down to 15(flat 7) and 151 up to 159 (basically the 2nd in the next octave). There truely are no rules because the possibilities are almost limitless. Enjoy your practice, Keni Lee
Diane in Chicago said… 
Mark Lillo said…
Randy S. Bretz said…
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